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Two ladies claim mothership of one young boy: one gave him life, the other saved it. Nature or nurture? Blood or water? Parent or guardian? Pass the chalk then, and hurry up about it, the bell’s just rung for last orders.
Nancy Meckler’s (artistic director of the Shared Experience theatre company) new production of Brecht’s classic meta-theatrical tale draws on the ancient tradition of the chalk circle. It certainly emphasises the humour in the play, enhancing its existing comedic potential and playfully developing it with a radical new translation by Alistair Beaton. The two potential mothers emerge from a country amidst a heated civil war that exposes a world both of class hierarchy and of corrupt, selfish individuals. The judge present for the title-referenced court case is drunk and disinterested. Meanwhile, flamboyant, upper class, and demanding women hold up an unavoidable mirror to the capitalism-induced greed in Britain today.
So why are we laughing? Not, in fact, for comic relief but the entertaining characterisation. One actor morphs fantastically from a Nick Cave-type singing narrator to a Jack Sparrow-style drunken judge,… Continue reading...
What is the play about?
Directors Laura Nagel and Eloise Colin: It's about one man's struggle to maintain his integrity after an act of infidelity spirals into an unpredictable sequence of accusations. It is set against the backdrop of the Salem Witch Trials in 17th century Massachusetts.
Posted in LS2 » Arts » INTERVIEW / PREVIEW - TG does The Crucible
What do you get if you cross a monkey with Kevin Spacey? Trevor Nunn’s Old Vic production of Jerome Lawrence and Robert E Lee’s Inherit the Wind calls both of these figures to the stage (there is a real monkey), arguing that the link between the two is inextricable through its wider exploration of the human condition.
Read morePosted in LS2 » Arts » THEATRE REVIEW - Inherit the Wind
OK, so are you expecting me to have revised Part I?
Definitely not! You don’t have to know Part I or Henry V to understand the play. Although it is part of a wider narrative, and we do open with a very brief section of Part I to contextualise, Part II has interesting qualities and subjects all of its own. The play centres around Prince Hal’s fundamental dilemma: will he continue to enjoy his drunken lowlife in a tavern with Falstaff and his friends, or will he rise to the responsibility of taking over the country from his increasingly sick father and attempt to prevent chaos and disorder? This is what we will be focussing on in our portrayal. The politics is the circumstance, rather than the main subject.
Posted in LS2 » Arts » INTERVIEW - Jimmy Walters and Edmund Digby-Jones
Presented in descending order from 20 to 1.
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